Cold Cases, Hot Cocoa: Five Great Cozy Mysteries with Historical Crimes

This post is reprinted with permission from Chicks on the Case, October 29, 2025

At Death’s Dough, the fifth installment in my Deep Dish Mystery series, was inspired by the long, cold winters of my Chicago childhood—and by one of the biggest unsolved heists in U.S. history.

My sister put me on to the story of the Rondout Train Robbery after seeing an article commemorating it in her local paper. We were both struck that the largest train robbery in U.S. history happened not in the Wild West—but just north of Chicago in the 1920s. Millions in loot vanished, mob ties helped the robbers evade justice, and the truth remains a mystery. What better set-up for my clever, pizza-slinging sleuth and her detective boyfriend—who happens to be the great-grandson of Al Capone?

If you’re like me and love a mystery where the past refuses to stay buried, here are five more fabulous cozies (and cozy-adjacent mysteries) that mix history, humor, and heart.

1. How to Solve Your Own Murder by Kristin Perrin
Wealthy widow Frances Adams has spent sixty years preparing for her own murder—and when she’s finally found dead, her great-niece Annie has to solve it. Set in an English village full of eccentric characters and long-dormant secrets, this witty debut is a perfect pick for readers who like their tea hot and their corpses cold.

2. Mischief Nights Are Murder by Libby Klein
Halloween hijinks and historical secrets collide when gluten-free baker Poppy McAllister’s B&B becomes the center of a deadly prank gone wrong. Add in a paranormal researcher, a pet psychic, a century-old diary with Prohibition ties, and Klein’s signature laugh-out-loud wit and you’ve got the ultimate cozy comfort read—assuming you can read while snort-laughing.

3. More Than Sorrow by Vicki Delany
This beautifully atmospheric mystery from Canadian mystery-writing powerhouse Vicki Delany (aka Eva Gates) intertwines the story of a modern war correspondent recovering from trauma with the stories of 18th-century Loyalist settlers. It’s a timely reminder that the past is never really past.

4. Murder Once Removed by S.C. Perkins
A genealogist with a love of tacos and a nose for trouble discovers a murder from the 19th century—and accidentally ignites a modern political scandal. Perkins’s genealogical  series is clever, funny, and full of Texas twang. It’s proof that some families have actual skeletons in the closet.

5. The Study of Secrets by Cynthia Kuhn
English professor Lila Maclean’s sabbatical turns sinister when a Victorian mansion, a missing manuscript, and a small-town legend converge to spell murder. Smart and funny, this book showcases the talents of its Agatha Award-winning creator.

Whether you’re chasing gangsters across a frozen lake or uncovering secrets in a dusty archive, these mysteries will keep you turning pages long after your cocoa goes cold. Hope you’ll check out these great reads and pick up At Death’s Dough—out now anywhere books are sold!

Cozy Companions: Six Furry Sidekicks Who Kick Butt

Excerpted from Criminal Element, Sept. 19, 2025

No cozy mystery would be complete without a trusty companion or two. Sometimes these come in the form of a team of quirky relatives, like the Calendar Crew of meddling aunties in Mia P. Manansala’s Tita Rosie’s Kitchen Mysteries or even a supernatural frenemy, as in Olivia Blacke’s Ruby and Cordelia Mysteries.

In my Deep Dish series, though, the key role of sounding board/emotional supporter/cuddler-in-chief belongs to Butterball, an orange tabby with the heart of a lion and the stomach of a chonk-monster. While Butterball isn’t exactly Sherlock Holmes (he is, after all, just a cat), he has a way of revealing clues that my human sleuth, Delilah O’Leary, might otherwise overlook.

In my latest book, At Death’s Dough, the roles are reversed—this time it’s Butterball who lands in hot water, and it’s Delilah’s turn to rescue him. Writing the story got me thinking about just how much pets bring to a cozy mystery.

Furry (and scaly and feathered) companions have become fixtures in cozy mysteries not just because they’re cute, but because they serve important narrative and dramatic functions. They provide a wholesome counterbalance to the violence at the heart of these stories. They can also ground the sleuth in everyday life, showing a softer, more vulnerable side of a character like Delilah, whose personality can be prickly. Their instincts, antics, and sheer existence can move the plot forward in organic ways. At the same time, they reinforce one of the central pillars of the cozy mystery genre: even in the dark shadow of crime, comfort is close at hand.

Butterball isn’t the only four-legged sidekick kicking butt in the world of cozies. From loyal hounds to opinionated cats, these companions prove that crime-solving can be more fun with a furry gumshoe (gum-paw?) on the case.

Here are six of my favorite books with animal sidekicks…

READ MY LIST IN CRIMINAL ELEMENT MAGAZINE

Most Likely to Succeed… in Murder

With the launch of my latest Deep Dish Mystery, Sleep in Heavenly Pizza, I’ve been getting ready to trot out Ye Olde Dog and Pony Show once again. I’ve observed previously that being a professional writer is essentially running a small business. Things like creating social media content, preparing for events, doing my taxes, and tending to relationships with booksellers, editors, bloggers, and readers—are necessary parts of the job. A lot of writers especially hate the task of pimping a new release, figuring out ways to get it on readers’ radar screens without looking like a shameless huckster.

I get it. For some writers, doing publicity smacks of lacking writerly integrity. Surely, James Joyce would never do an Instagram reel where he pretended to be several different varieties of cheese??? For many others, promoting your work feels too much like promoting yourself, which can be a terrifying prospect. Writers are often sensitive, introspective, and introverted, qualities that are at odds with the demands of publicity.

Can I tell you something?

<<looks from side to side>>

<<lowers voice>>

I actually like doing publicity.

Yes, sometimes promotion feels like time stolen from the actual writing. But mostly, I regard it as a welcome break, a chance to build my creative muscles in a different way. Plus, as my sisters will surely aver, I’ve always been an attention-hogging ham (aka middle child) and almost nothing embarrasses me. Thus, I will gladly enlist every resource at my disposal in the service of getting the word out. Puppies, adorable children–it’s all fair game.

All this is to say that I was delighted to appear recently on the Midwest Writers Room podcast for an episode of Chapter Break and do funny character voices. I hope you enjoy it!

I also had the pleasure of being featured on Fresh Fiction’s “Character Most Likely To…” segment.

Here’s a little taste of that. You can click the link above to read more.

Most likely to be an agent of chaos?

Butterball the cat! This chonky orange mischief-maker is a staple in every book. Whether he’s knocking over crucial evidence in SIX FEET DEEP DISH or unexpectedly leading the way to a clue in ASHES TO ASHES, CRUST TO CRUST, Butterball’s accidental heroism is legendary. Just don’t be fooled—his real priorities are snacks and snuggles, solving murders is just a side gig.

Thanks for reading. Now it’s time for me to harness the dogs and ponies (and adorable children), because we’ve got more shillin’ to do!

Feral cats, kosher wine, and other terrifying topics

I was interviewed a few weeks ago for writer Tara Laskowski’s blog. In addition to being quick-witted and kind-hearted, Tara is also a master of twisty suspense.  Her novels include The Weekend Retreat and The Mother Next Doorwhich the NYT Book Review called a “polished and entertaining read.” As it happens, Tara herself is also polished and entertaining. She’s won the Agatha Award, the Macavity Award, and the Anthony Award and has been a finalist for a butt-ton of other fancy awards. 

And now, on to the interview!

Tara: What is your greatest fear as a writer?

Me: Where to start? That everyone will hate my books. That I’ll become mentally or physically ill and not be able to meet my deadline. That I’ll forget how to write. That I’ll write something that pisses people off and then they’ll hate me. That I’ll be a failure and have wasted my life pursuing this dream. That I’ll be a success and not know how to handle it. That the mild arthritis in my fingers will become debilitating and I won’t be able to type my books. That my poor eyesight will become even worse and I won’t be able to see the computer screen. That I’ll make a stupid mistake in a book and no one at the press will catch it and it’ll go to print that way and everyone will think I’m dumb and careless. That my writing peers will hate my books. That readers will hate my books. That my family will hate my books. That I’ll die alone and stray cats will gnaw at my decaying corpse for weeks before someone calls the cops about a suspicious stench and they come and shovel what remains of me into a five-gallon bucket. Wait, what was the question again? 

Tara: What’s your favorite horror movie or television series?

Me: When I was younger, I was obsessed with Dark Shadows. Maybe that’s more of a gothic romance than a pure horror show, though? Anyway it’s got sexy vampires and a governess-wealthy dude romance à la Jane Eyre, and a dual timeline sitch that’s akin to Outlander. BUT DID I MENTION THE SEXY VAMPIRES?

To find out my plans for world domination and learn why I’m careful what I say into a mirror, read the rest of the interview on Tara Laskowski’s “What Scares You” blog!

Hooray! It’s time for my semi-annual existential crisis!

If you write for a traditional publisher, you get paid twice a year. That payment covers a period that’s up to twelve months prior to the date of the check. The sales are lumped together in various line items, some illuminating (e.g. Canadian e-book sales), some… less so (I’m looking at you “Additional Earnings” line item).

So yeah, you may be wondering what LSD-dosing psychopath invented such an arcane business model. And you may find yourself asking why any self-respecting literary artiste such as moi would put herself through it all. Maybe for the fame and fortune?

BAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHA! <<wipes tears>> BAHAHAHAHAHAHAHAHAHAHAHAHAHA!

Yeah, no.

Overall, there’s almost no way to track whether a specific promotion/appearance/snippet of media coverage had a measurable effect on sales.*

*Unless you obsessively track your Amazon rankings and Nielsen Bookscan numbers and try to extrapolate your weekly sales numbers from there. Which I for sure don’t do on a regular basis. ‘Cuz that would be batshit crazy. <<deletes browser history>> 😬

I, like most of my writerly brethren, have zero job security and little understanding of how to make this modestly-profitable hobby/poorly-remunerated career work for me. I end up saying “yes” to almost every marketing opportunity, constantly afraid that I’m not doing enough, that my next project will implode like a billionaires’ submarine. Thus, over the past few years, I’ve found myself running on a relentless hamster wheel of social media posts, guest blogs, newsletter articles, giveaways, and appearances, trying to find success. I live in fear that the Spigot of Modest Recognition could, without warning, stop dribbling out the little droplets of validation that sustain me.

And that’s because I’m lucky enough to be afforded those opportunities. I have a series of mass market paperbacks with a Big Five publisher. They sell, if not like hotcakes, at least like very warm cakes. I’m well aware that not every writer is so fortunate. So I also get to feel guilty for being ungrateful! Yay! The shame cherry on my fear sundae!

For several years, I’ve been burning the candle at both ends, trying to justify this career choice. And, inevitably, I have a mini-existential crisis whenever a new book comes out or a major deadline looms or my royalty check comes in lower than I expected it to. I’ve been living in a constant state of low-grade existential panic.

A few things have happened over the past couple months that caused me to start to recalibrate. My beloved grandmother, the bedrock of our family, died. My entire nuclear family got sick, some of us more than once. My aunt was struck by a car and nearly killed on the front steps of the post office. (Yes, you read that right. A car went out of control and up a flight of stairs.) I’m realizing that all the career-related, mini existential crises were just a prelude to the real deal.

It got me asking myself why I do this writing thing. Here’s what I came up with:

A “pizza” the gift box my friend Desiree sent to me.

This little pizza friend was part of a cheer-up gift box my friend Desiree Di Fabio sent to me recently. Desiree and I, along with fellow mystery writer Korina Moss, bonded over cheese fondue during last year’s Mechanicsburg Mystery Book Fete. I’d never met Desiree before that event, but we had an instant connection. That happens a lot in the mystery writing world. You’ve spent your whole life searching and suddenly HERE ARE YOUR PEOPLE.

Maybe in school, you were the only weird kid reading a book during outdoor recess. Maybe, while your high school classmates were out doing whatever normal high schoolers do (drugs, probably? IDK), you were that nerdy teenager the public librarians all knew by name. Maybe you were that oddball who spent decades wondering if other people thought about death as much as you do. Welcome, my friend. The world of crime fiction is your happy place.

My life is infinitely richer because I have written and published my books and stories. The community of readers and writers I am a part of is wonderful. Telling stories is a joy and a privilege. Through this work, I learn so much about myself and what it means to be human. Also, I FREAKING LOVE WORDS. They are so powerful.

I’m still in the midst of a pretty rough season of life. But when I look at this fuzzy little pizza, I’m reminded of the joys of my life as a writer. Joys that cannot be quantified on any bestseller list or with a six-figure check. Pleasures that defy external metrics. When it comes to a full creative life and sustaining personal relationships, I am very rich indeed.

I, for sure, never made a chinchilla live in a Barbie camper van.

Earlier this week, I had the pleasure of being interviewed by CanvasRebel Magazine. Read below for my take on Eighties parenting, Norman Lear, and writing lessons learned (and unlearned)….

CR: Mindy, looking forward to hearing all of your stories today. Do you think your parents have had a meaningful impact on you and your journey?

MQ: My childhood spanned the 80s and 90s, when benign neglect was the dominant parenting style. My mom and dad didn’t micromanage my schoolwork or bog me down with organized extra-curriculars. For a good portion of my childhood, they probably didn’t even know where I was.*

That parenting style freed me to read and watch TV for countless hours every day, unfettered by parental expectations. The fact that they worked the kinds of jobs people without college degrees tend to work—secretary, restaurant server, auto parts store manager, etc.—was also a blessing. When it came time for me to get a job, I chose work that interested me, with no fear that my parents would judge my choices and no expectation of making giant sums of money.

*Definitely not climbing into that broken storm drain by Jenny’s house! Nor “borrowing” Christine’s brother’s chinchilla and trying to make it live in a Barbie camper van! Those things for sure didn’t happen.

Read the rest of the interview on the CanvasRebel website…

AND THEY ALL DIED HAPPILY EVER AFTER: COZIES, GRIMDARKS, AND MODERN MORALITY

Those familiar with Game of Thrones will recognize the hallmarks of “grimdark” storytelling. In a grimdark world, morals are flexible. Dark aesthetics and gritty details dominate. Today’s hero could be tomorrow’s villain, if external circumstances change. Given the headlines of the past few years, the moral uncertainty of such stories has a “ripped from the headlines” feel that seems appropriate for our chaotic era.

On their face, grimdarks are everything cozy mysteries are not. Grimdarks are gritty and explicit where cozies are saccharine and romanticized. Cozies are fluffy and escapist. Grimdarks are meaty, heavy, real.

But the more time I spend reading and writing cozies, the more I think of them as tools for confronting, and reckoning with, the same (un)ethical landscapes as grimdarks. Even as I type this, I can hear the distant sizzle of frying synapses as readers try to suss out what a cozy mystery stalwart like bakery owner Hannah Swensen has in common with #teamgrimdark soldier of fortune Jamie Lannister, other than perhaps Nordic good looks and an intense love for their sisters.

Hear me out.

READ THE FULL ARTICLE AT CRIMEREADS…

I Framed This Turd For You

My dog died yesterday. There is no silver lining to this. She was my beloved. My sweetest, goodest, irreplaceable baby girl. And now she’s gone.

Peggy was eleven, which isn’t tragically young. Her death, after months of worsening health, was as good as a death can be–peaceful, painless, at home, surrounded by her family.

But she’s dead.

In my day job in the clinical trials office at Virginia Tech’s vet school, I have a lot of end of life conversations. Over the past few weeks, I’ve been telling myself all the things I tell other pet owners. “You’re doing the right thing.” “We are blessed to be able to offer pets a way to end their lives with dignity and compassion.” “Your pet is lucky to have an owner who puts their comfort and happiness above all else.” I say these things to others because I know that words matter. The right words shape our darkest, heaviest pain. They scaffold feelings and fears. Sometimes they give us ways of thinking that help us to snatch a scrap of meaning from the pile of tornado-spun ruins that used to be our hearts.

I was talking to a colleague recently about why I write. I sometimes joke with other writers that I do it for the money, and then we laugh until we cry. There are maybe a dozen people alive who’ve gotten rich by stringing words together, and we are not them. I’d get better ROI from selling my blood plasma. So why do I do it? And why, in particular, do I churn out formulaic comfort reads about, of all things, murder?

As I clung to my little heart scraps in the wake of the emotional calamity of my dog’s death, my reasons came into focus. Part of why I write is because meaning-making is what I feel compelled to do as a human. Everything alive will die, but only humans, and maybe some really emo chimpanzees, actually seem to be aware of this fact. Death fills us with awe and dread. I can’t even begin to fathom it. It is obvious, basic, and mundane, but it’s also too large and bewildering for my puny brain to hold. Death is the ur-Bogeyman, the OG unknowable unknown.

When I write a murder mystery, I can put guardrails on death. I can ensure that the mystery of (the fictional) death is solved and that wrongdoing is dragged into the daylight and wrongdoers are brought to justice. Isn’t that what humans have always used stories for? We take something that makes no sense and build a framework of explanation for it. Word by word, we give it shape. We constrain its scope. We nail it to the wall to be studied. It doesn’t make the bad thing any less bad. A turd in a frame is still a turd. But maybe we can take that turd, put it in a better frame, on a bigger wall where it really catches the light.

I wrote an obituary for my dog the day before she died, knowing that there’d be zero chance I’d have the wherewithal to do it afterward. I wrote it because I knew that telling the story of who she was and what she meant to our family would be important.

Words are not resurrection spells. I wish they were. But in the face of the world’s unfathomable mysteries, in the aching absence of warm, furry cuddles, words give us something to hold.

Peggy Lymm Quigley returned to the light on October 16, 2023, dying peacefully at home, surrounded by her family. 🌈

Peggy was born on February 10, 2012 in the quaint English village of Lymm. The family she was born into had named all the other puppies in the litter, but her, they simply called Quiet No Name. She had a sweet and passive disposition, preferring to let her littermates take center stage. When the Quigley Family was given pick of the litter, they knew that this sensitive soul would be the perfect fit for them.

Peggy lived the first year and a half of her life in Edinburgh, Scotland, exploring the city and hanging out in dog-friendly pubs. She especially loved jaunts up Blackford Hill with her father and human sister. From up there, Peggy’s beard could blow majestically in the breeze as she took in views of Edinburgh Castle, Arthur’s Seat, and the Firth of Forth.

Peggy took it in her stride when the family relocated to America in August 2013, making the transatlantic crossing in her usual no-fuss style. She developed a reputation as a sweet and friendly neighborhood fixture, who went on occasional sprees to visit her friends. At Virginia Tech, Peggy trained as a therapy dog, doling out cuddles to stressed students during exam weeks.

When her little brother was born, Peggy again rolled with the changing family circumstances, gently tolerating his clumsy pets and wild games. “Giggy” was one of his first words, and he christened his most beloved stuffed toy “Giggy” in her honor.

Peggy enjoyed walks in the cool weather, pouncing on the snow, chasing waves, and lying quietly in the sun. Most of all, she loved cuddles. Peggy poured her boundless love on everyone who crossed her path, and was loved in return, especially by her extended family. Her mother Mindy was her closest companion. During the Covid lockdowns and every day since, Peggy could be found quietly snoozing under Mindy’s desk chair.

Peggy, we wish you could’ve stayed with us longer. You gave everything and demanded nothing. You loved bountifully and unconditionally, and were loved in return. Your heart was the purest gold. ❤️ 💔 💙 ❤️ 💔 💔 💙 ❤️ 💔 💙 ❤️ 💔

SOPHOMORE SLAYS: SEVEN KILLER MYSTERY SERIES WHERE BOOK TWO IS EVEN BETTER

You’ve written a great first novel. There’s buzz! There’s praise! The book is flying off bookstore shelves. Even the notoriously finicky and hot-blooded reviewers on Goodreads adore it. They’re throwing stars at you like henchmen in a ninja movie. Your publisher loves the book so much in fact, that they want you to write another one.

Pronto.

Welcome to the Land of the Sophomore Slump.

Many writers spend years crafting their first book in a headspace that’s blissfully free from deadlines, contracts, and fan expectations. Then, when their debut novel is (miracle of miracles!) successful, they’re expected to crank out the next book in the series in record time–often less than a year if they’re writing a mystery series. The pressure to live up to expectations has gotten the better of many an author. Even Harper Lee, who penned what is routinely ranked among the greatest American novels of all time, struggled to repeat To Kill a Mockingbird’s success.

My second book, Ashes to Ashes, Crust to Crust, came out earlier this year, but I had a fortunate turn of fate that kept me from facing the usual pressures that portend the Sophomore Slump. The pandemic delayed my contract and thus pushed back the release of my Deep Dish Mystery Series, which meant that I was able to finish books two and three before the first book even came out. Now that I’m working on book four in the series, though, I’m doing my best to guard against Senioritis!

My own experience leaves me even more impressed when a fellow author manages to pull off a series that improves with each new outing. Forget mere whodunnits, these next-in-the-series reads are truly next-level.

Pop on over to Crime Reads to check out my list of Seven Sophomore Slays that’ll keep you glued to your Kindle…

https://crimereads.com/sophomore-slays-seven-killer-mystery-series-where-book-two-is-even-better/